Amish Paintings: 

This is an Amish child in Pontotoc county Mississippi, learning to drive a team of horses. I named it "Allied Education." as the Amish are home schooled until the 8th grade, I hear, because they learn only to do their life's work.I read a court case in TN that stated that once.


Around here the Amish have several saw mills. Also they sell fresh vegetables and homemade jams, etc. All done on wood stoves in the blazing hot summers. They are sweet folks! 




I have prints of this (Amish Driver) for sale... 8x16's for $ $50 each unframed. Contact me if interested.

A few weeks ago I had friends from out of town here and took them to see our Amish country...It's really interesting to see this place!

Here are just a few of some oil paintings of the Amish that I have done:

12x16 Available- $ 350 Unframed. 

Sold

Sold

Sold

Amish Road (Study) ©Dot Courson   AVAILABLE   - Oil - $300    14x11 Unframed.

Today I drove two hours one way to judge an art show for the Red Hill Art Association in Louisville. I would have loved to have stopped many times to paint along the way, but didn't have time... It's hard to drive past a scenic place - the old home places and farms and let that scene go by you: forever un-captured except in someone's special memory of their homeland or their own home place... And that light was just right this afternoon...  
We really have some neat places to paint in north Mississippi!

Knife Painting Techniques


Lately I have gotten interested in palette knife painting. Years ago I used to do some, and I still use a palette knife occasionally but it's mostly done along with brushwork. But nothing is "breaking the rules" in painting as far as I'm concerned. An artist can use anything- even elbows if they want to!

I recently saw Barbara Flowers doing her wonderful and inspiring palette knife painting demo in Florida during our Women Painters of the Southeast (WPSE) show and got interested in doing palette knife work again. Here is a beautiful loose painting by Barbara who served as our show judge just in case if you are not familiar with her work:

Teaching Pallet Knife Painting...
So this past week I brought fresh pears to my painting class and taught palette knife for this weeks lesson. I was not sure what the students would think as I have not even talked about palette knife painting with them. And since I have never taught this - I looked back to my painting image files to find some of my own works done in palette knife. Here are a few along with my thoughts about how I did them:

 I did this one in 2005. I used to sell wholesale to a decorator store in Tupelo- Staggs Interiors. Staggs sold my work exclusively somewhere from around 2002- 2006, and they  sold a LOT of my work. It was wonderful and I would produce many of these little 5x7 and larger paintings that they used in decorative frames. These little pear paintings look great stacked in dining rooms and above other larger paintings, and were reasonably priced and very affordable. 

 As I told my class, there are several thing that I love about palette knife painting:

• Mixing colors is easy. Piles of paint are easily blended on the palette - or even on the painting itself - to make loose layers that show the colors underneath.
• You can easily paint right over an existing painting that you dislike, because you are using thicker paint and texture just adds to it's visual appeal.
• Due to the thickness of the paint -it's easy to scrape out and re- apply another swipe of color on top of what you're correcting. 
• Adds detail and texture to the painting
• They are quick to do and studio clean up is easy
• Palette knife painting is a "natural" way to make very LOOSE paintings. 

 Here is another painting that I did around 8 years ago...

This was so much fun to do! I enjoyed doing the reflected lights by adding a  in the shadow area by mixing right into the paint on the canvas. Here is a detail of that:

Looking at the detail, it reminds me of pastel paintings that I used to do back then, the mixing of the colors directly on the surface of the painting and "smushing" borders of objects to soften the edges. This style painting is so natural, easy and almost intuitive for me to do for some reason. I don't know why I stopped.

I also used the end of the knife to add color to make the surface of the cantaloupe in the sunlight:

I believe that a palette knife exercise is good for artists to try occasionally. It gets you out of your comfort zone and opens your eyes to the wonderful freeing feeling of painting if you find yourself getting "tight" with your brush work. 

Here is another knife painting of mine...

And some detail:

The photo above was made prior to varnishing, but you get the idea. In this one I also used a brush to drag paint around on the painting. I like texture in my palette knife paintings that I don't usually put in my other works. It gives the observer some "up close" detail that they can enjoy. 

Here is my demo from my class last week. It is 5x7 and is available unframed for only $75 plus tax in MS -and actual shipping if anyone is interested.  It looks great framed!...But would also look good on an easel... I am going to start selling these small works on my own to raise money to be able to go to southern France to paint next year! Contact me at artist@dotcourson.com if you are interested in helping the me get to France! 

: )

Artist Workshops

My husband Jackie and I host workshops for artists. 

If you are an artist you understand about workshops. If you are not a painter, just think of it as education and continuing education for artists.

These workshops are for students, intermediate artists and professionals. Sometimes the students are professional artists studying with another artist that they admire. Sometimes even the professional artist instructors themselves study with the other professional artists that they admire! No artist ever stops learning and we all learn a lot from each other. 

I see lots of different styles of painting and work that I admire and their work styles range a lot. We recently invited and hosted a workshop with Anne Blair Brown. Her work is loose and she has beautiful sense of color relationships within her works. A lot of what I love about here work is the beautiful colorful "grays" she mixes. I also like the way she lays in the work on the canvas. She limits her brushstrokes and some of the exercises she had the students do was to "count" brushstrokes and to keep it under 40 strokes. What a challenge!

Anne talks with students at lunch break on the square in Pontotoc, MS

Anne's demo on the square.

Ann was so caring about her students needs. She is a good clear communicator and her demos also speak. She painted several demos at the student's request and had them painting some of the scenes in our little town that drew the mayor, editor of our newspaper and reporter, and the director of our chamber of commerce to our painting site in the middle of our little park area of our downtown square! One of the local opticians downtown also came out and even joined our group the last day of the workshop.

In June - a few days after the Plein Air Richmond, I will be teaching a workshop with the Delta Art Association. There are lots of great artists in the delta and I love to paint that area. Here are some of my paintings of the delta:

If you are interested in this workshop please contact Iris Mitchell at lilyiris@suddenlink.net for details. This is for the Delta Art Association in Greenville, MS and they may want to put you on a wait list until the members have a chance to register unless you are already a member. Not sure how that will work.

  In July we have artist Lori Putnam from Nashville here teaching her still life workshop. I like her work- especially her still life work and we are looking forward to hosting here here for the first time. This workshop is full for now- but do let me know if you want on the waiting list. There could be an opening last minute- you just never know! Here is a painting I did in Memphis when I took here workshop. It is very loose:

Sunflowers 20x 16 ©2011 Dot Courson, Oil

Here is one of Lori Putnam's works:

Painting ©Lori Putnam, Oil

New!
We have added another workshop this fall. Robert (Bob) Harper will be back again and we love Bob. He is one of the most energetic and funny and sharing instructors you will ever meet. Here is a painting of his behind country recording artist Amy Grant.

Amy Grant bought his painting - actually Vince Gill bought it for her --and she loved it so much that she put a larger copy of it on the stage for her DVD that won a Grammy. That is amazing to me to see Bob's beautiful painting that large. What a huge honor. That image had to help account for Grammy!

I have not started advertising spots for Bob's workshop yet but if you are reading this and want in to it please let us know. Dates are October 22-24- That is a Monday, Tuesday and Wednesday-3 full days and is $295. Contact us at artist@dotcourson.com to register. 

On Being an Artist in Mississippi

Artists do more than paint:

This cartoon artist captured me pretty well... : )  : ) If you are an artist I know you "get it" too....

In the last week I put these things on my things to do list: 

• Blog about the SE Plein Air Invitational last week ...and Anne Blair Brown Workshop here this past week.
• Update my bio I had to quickly revise for the Women Painter's of the Southeast Annual juried show at the Course Gallery and Atelier in Jacksonville, FL that is this upcoming weekend April 28th!
• Order brochures about my art for the Daughters of the American Revolution (DAR) who is presenting my paintings in Washington DC in June. 
• Order new business cards! ( A couple days ago while I was out painting in town - gave the mayor of Pontotoc, MS my business card ...I noticed that it had my old email address on it! )
• Send out a newsletter! By the way.... IF YOU WANT TO RECEIVE MY BI-MONTHLY NEWSLETTER SIGN UP HERE. You can also read past issues from there.

These things just come with the job. I like these things because I'm an extrovert and I am social. I love Facebook, Twitter, Blogging, and News-lettering about art but it eats away into my painting time and I apologize for not being "present" more...  

So here is my blog about the.....

Southeastern Plein Air Invitational 2012

I just returned form beautiful Alabama and the Southeastern Plein Air Invitational. Was so honored to be back for my third year in a row. This year I had the pleasure of getting together and painting with my buddy Millie Gosch all week. What a fun time we had together! 

Ju-Ju's Farm ©2012 Dot Courson - from the 2012 Southeastern Plein Air Invitational

Above here is a bad photo of a painting I took just after finishing the painting. It is propped in the frame against my car fender out in the field to take the picture. I didn't get many images of my paintings this year...

(above) Millie and I were painting and believe it or not a thunder shower and lightening ran us away for a few minutes. But we got right back out there when the lightening and rain subsided and I finished this one... 

My sweet friend - talented artist Gina Brown painting in a backyard garden in Gadsden.

A little painting I did at one day called "Two's Company.©2012 Dot Courson-  It was one of two that sold  on opening night.: )

An overlook from "the brow" one afternoon in the Fuller's backyard.

In addition to the view above, this year my good new friend Wyatt Waters from Mississippi and Millie Gosch from Georgia and I went out one evening to our friend Kevin's house  on the western brow - and painted a sunset until dark. We got there a bit late, but got some great memories! We were so amazed at the location of some of these homes with million dollar overlooks and the drama of (gulp) 60 feet drop offs right in their back yards! We decided it was "survival of the fittest" for the neighborhood children fiends and Kevin who were raised here... 

 Also -wanted to say that Wyatt won the "Quick Draw" at the Southeastern Invitational this year.. I was honored to win it last year, and was tickled this year for my fellow Mississippi friend!  It was a real pleasure painting with Wyatt and Millie  and many gifted painters from around the south:

Ron Bayens, Alburn Al 

Jill Berry , Pensacola, FL

Gina Brown, Glencoe, AL

Amanda Carder, Cummin, GA

Millie T. Gosch, College Park, GA

John Guernsey, Marietta, GA - Check him our- he's coming to do a workshop here soon!

Amy R Peterson, Hoover, AL 

Dmitrity Proshkin, Flintstone, GA

Craig Reynolds, Rainbow City, AL

Virginia Vaughan (V....Vaughan), Roooound Rock, TX

Charles Young Walls, Forest Park, GA

Katrina G. Weber, Huntsville, AL

Karen H. Weir, Catherine AL 

Wyatt Waters, Clinton, MS

Sorry that I couldn't find these links on Google. If I find them I will add them later. Send any to me in comments and I'll be add to add them.  

Packing for Plein Air Trip

I'm headed to Gadsden Alabama to the Southeastern Plein Air Invitational all next week. This is my third year and I'm so happy to go back.
This is really beautiful country. Here is a painting I did of a scene from there that is on the cover of my book, Small Places: Landscapes of the South. :

We paint out all week and the public is invited to come to the Gadsden Museum to buy these works on Friday night. I have blogged about it before here and also here.

Here is what I'm packing as far as frames and canvas. Words are included in the photos, but you get the idea anyway:

And what I'm leaving behind as I go on this trip:  here below with Jackie, is my dog Cane that we adopted from there two years ago. He's saying home with Daddy and won't be coming back to Alabama anytime soon! 

"Loose" Paintings Process

Below are photographed works in the beginning of my painting process along with the finished- or almost finished- works.

The whole painting process is fun, and may surprise many collectors and students of art who only see my finished works. This way of painting works for me and keeps color bright and helps the final painting look loose and (hopefully) "painterly! They are realistic when viewed from and distance and in these photos, but (trust me) they are much more impressionistic in real life!

I dislike "stiff" starts. These loose starts keep my work "alive". It is a free, creative and enjoyable process. It is not painting inside the lines, but I like to think that it is intelligently done and thought out ahead of time... Still life starts which are usually tonal, because these are done in a bit more realistic style than my other works.


There are reasons behind everything that is done. It is not as mindless as it looks!

Some of these are still unfinished as pictured here, but you get the idea.... And finally, if you are an artist and want to try to paint like this I have one word of advice for you: RELAX... it's only paint!  : )

              

T